Quotes

Time Isn’t a Practice Run

Man on bicycle winning a race, arms raised in victory

I’ve been chewing on this older quote for days now…

“Waste of time, waste of human potential. How much time we waste. As if we were going to live forever.”
— Leo Buscaglia

I keep thinking about it while standing in line. While doom-scrolling. While putting off something that actually matters to me because I’m tired or distracted or just plain avoiding it.

Time has a smell to it, I swear. Cold coffee. Warm dust from an old book. The faint hum of electronics late at night. It feels physical when you notice it slipping past.

Time Is Sneaky Like That

I don’t wake up thinking, Ah yes, today I shall waste my potential. Nobody does. It happens sideways. Ten minutes here. A couple of hours there. A day that evaporates without anything to show for it except sore eyes and that low-grade guilt buzzing under your skin.

I catch myself saying things like, “I’ll get to it later.”
Later feels generous. Safe. Infinite.

It isn’t.

That’s the part of Buscaglia’s quote that lands hardest. We act like time renews itself the way phone batteries do. Plug in. Recharge. Start fresh. Real life doesn’t work like that. Time only moves one way, and it does not circle back to check on you.

Potential Is Not Loud

Human potential sounds dramatic. Big speeches. Big goals. Big gestures.

Most of the time, it’s quiet.

It’s the book you keep meaning to write, sitting half-finished on your laptop.
It’s the phone call you keep putting off.
It’s the class you wanted to take.
It’s the language you wanted to learn.
It’s the walk you didn’t go on because the couch felt easier.

Potential doesn’t kick down the door. It waits. Patiently. Sometimes too patiently.

I’ve felt that waiting. It feels like a low ache behind the ribs. Not pain exactly. More like pressure. The sense that something inside you is tapping its fingers on the table, wondering if you’ve forgotten about it.

The Lie of “Someday”

I grew up believing in “someday.” Someday when things calm down. Someday when I feel ready. Someday when I have more time. Someday when money, energy, confidence, or courage magically appear.

Here’s the part nobody loves hearing: someday is not a place you arrive at. It’s a story you tell yourself while time keeps moving.

I’ve lost entire seasons that way. Whole summers. Whole years. I can still picture the light coming through the windows of apartments I no longer live in, thinking I had plenty of time to figure things out.

I didn’t feel panicked back then. That’s the trick. Wasting time rarely feels dramatic. It feels comfortable.

Comfort Is Not the Enemy — Drift Is

I’m not anti-rest. I love rest…a lot! I love quiet afternoons and doing nothing on purpose. That’s different.

Drift is when rest turns into avoidance. When comfort becomes a holding pattern. When days blur together and you can’t quite remember what you were excited about last month.

Buscaglia isn’t yelling at us to hustle harder. He’s pointing at the tragedy of drifting through a life you actually care about.

That hits me in the chest every time.

Mortality Changes the Math

The older I get, the louder this stuff gets. Time feels heavier now. Not scary, just… real.

There’s a strange clarity that comes from accepting that the clock does not owe us anything. It makes small choices feel sharper. It makes saying yes or no feel more deliberate.

I notice how my body reacts when I choose something meaningful. There’s a warmth there. A steadiness. Even when the thing itself is hard.

I notice the opposite reaction too. That dull, dragging feeling after another evening vanished into nothing.

What I’m Trying to Do Differently

I’m not chasing perfection. I’m chasing honesty.

Asking myself:
Is this how I want to spend this hour?
Does this choice feed me or numb me?
Am I hiding, or am I resting?

Some days I answer badly. Some days I answer well. The point is asking.

Buscaglia’s words don’t feel like a lecture to me. They feel like a hand on the shoulder. A reminder whispered close: you’re here now. Use it.

One Last Thought Before I Go

Time isn’t cruel. It’s just indifferent. That’s oddly comforting.

We don’t need to do everything. We just need to do something that feels honest before the light changes again.

If I waste time, I want it to be intentional. A long walk. A deep breath. A laugh that leaves my face sore.

Human potential doesn’t need to be grand. It just needs to be lived.


murder at the savoy book cover, 1930s detective in a fedora

Lucien Knight came to New York to escape scandal.
He found a dead singer, a beautiful liar, and a ghost that won’t let go.
Murder at the Savoy — jazz-soaked noir meets the supernatural.

Grab your copy HERE

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Throw Off the Bowlines (Even If You Still Get Lost in Your Own Neighborhood)

You know, every so often I’ll bump into a quote that feels like it crawled under my skin, fluffed up a pillow, and decided to stay awhile. That Mark Twain line—the one about regrets and bowlines and sailing away—hits me right behind the ribs every time I see it. Maybe it’s because I’ve made exactly too many “safe harbor” decisions in my life, the sort where you stay where it’s familiar because the familiar doesn’t bite. Or maybe it’s because I know how many times I’ve talked myself out of something I secretly wanted, usually with the weak excuse of: “Eh… maybe later.”

Spoiler: later is rarely a team player.

The Quote That Won’t Leave Me Alone

Twenty years from now you will be more disappointed by the things you didn’t do than by the ones you did do.

I swear, Twain must have had a time machine, because I’ve already lived the baby version of that. I can look back ten years and clearly see the little crossroads moments—like the weekend I almost bought a one-way ticket to Dublin because I’d convinced myself my future self would magically be braver than my present one.

Yeah. Still waiting on that upgrade.

But here’s what actually sticks with me: every time I did take the risk, even the messy ones, even the ones where I ended up flustered and feeling vaguely ridiculous… I never sat around thinking, “Wow, sure wish I’d stayed home scrolling cat videos.” The regrets always come from the hesitations, the almosts, the quiet little dreams I shoved off to the side to go alphabetize something instead.

Safe Harbor Is Cozy… But Cozy Gets Boring Fast

There’s something seductive about sticking to what you know. It’s like living your life wrapped in bubble wrap—everything muffled, nothing sharp poking through. And hey, bubble wrap is fun for about twenty seconds, and then suddenly you remember that real life is waiting outside like a golden retriever begging you to throw the damn ball.

Safe harbor is great for a nap, but it’s pretty lousy for stories.

Whenever I think about the “throw off the bowlines” part, I picture myself actually trying to work a boat and instantly realize the Coast Guard would absolutely have to intervene. But symbolically? I get it. It’s about snipping the rope between you and the life you’ve outgrown.

Some ropes are tiny. Some are more like those monster ropes used in tug-of-war competitions. But either way, they’re still tied to a version of you that wasn’t meant to steer the rest of your life.

Explore. Dream. Discover. (Or, At Least Try Something That Doesn’t Feel Like a Chore)

Twain hits you with those three little verbs—explore, dream, discover—which sound charming and breezy until you realize they require effort. Like, real actual effort. The kind where you stop talking about what you want and start messing around with reality to see what happens.

I’ve learned that “explore” doesn’t have to mean circling the globe with a backpack and a questionable water bottle. Sometimes it just means saying yes when a friend invites you somewhere you’d normally squirm out of.

“Dream”? That one’s trickier. Dreaming is easy, until suddenly you’re dreaming in circles and forgetting that dreams are supposed to be invitations, not screensavers.

And “discover”—that’s the sneaky part. Half the time, what you discover isn’t the thing you thought you were aiming for. You go looking for treasure and instead realize you’ve adopted a stray cat, or you’ve found out you’re actually kind of good at something you’d been avoiding for no real reason.

Twenty Years From Now…

Here’s the part that makes my stomach do that little wobble: twenty years will show up whether or not I do anything interesting in the meantime. It’ll just knock on the door one morning like, “Hey, remember all those things you said you’d get around to?”
And then I’ll have to answer it.

I think about future-me sometimes—older, maybe a little cranky, hopefully still able to get off the couch without making that involuntary noise I’m already making now. And I wonder what he’ll wish I’d been braver about. Which chances he’ll raise an eyebrow over. What adventures he’ll still be annoyed I chickened out on.

I don’t want that guy side-eyeing me.

So What Do We Do With This?

Honestly? I think we just start small. Nudge ourselves in a direction that feels slightly uncomfortable in a good way. Ask “what if?” and actually follow it with a sentence instead of ignoring it like a telemarketer call.

Throw off one tiny bowline today.
Something bite-sized.
Something that reminds you you’re still in motion.

The big leaps always start with one weird, wobbly little step, usually while you’re muttering, “Okay, okay, I guess we’re doing this.”

And that’s enough.

That counts.

Future-you will thank you.


The Golem's Guardian book cover

When shadows with human faces begin stalking the city, a quiet librarian and his sister discover their family’s secret: a legacy of mysticism, prophecy, and a clay guardian who just might save—or doom—them all. The Golem’s Guardian – available HERE

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Define It Yourself, Darling

Young man with rainbow colored eye-shadow
Smiling young man with dark curly hair wearing colorful rainbow eye makeup and painted nails, posing against a pink backdrop. The vibrant colors express creativity, self-expression, and confidence, highlighting a modern take on style and fashion.

There’s this quote by Harvey Fierstein popped in my head outta nowhere the other day: “Accept no one’s definition of your life. Define yourself.” It’s one of those lines that hits you in the ribs a little, like someone just tapped your sternum and went, “Hey, are you paying attention?” And honestly, I needed that nudge. I’ve been thinking so much about the ways people try—usually without even realizing it—to hand you a pre-written script for who you’re supposed to be.

I mean, I spent years believing other people’s ideas of who I was. A teacher once told me I was “too quiet to ever be a writer.” I remember blinking at her, clutching my folder of short stories like it was a tiny kitten I needed to protect. Quiet doesn’t mean silent. Quiet doesn’t mean I don’t have a voice. It just means I didn’t want to yell over the kid who treated every class like his personal comedy hour. But for a long stretch, her words stuck to me like gum on a shoe. It took me years to scrape off that nonsense.

And that’s sort of what Fierstein was getting at, I think. Everyone has opinions—family, friends, random people in line at Target who feel compelled to offer life advice because you’re holding a planner with stickers. Folks will confidently tell you what “someone like you” should do or be or want. I’ve had people decide I’m “too old” for video games, too whimsical to run a business, too introverted to teach Zumba. Meanwhile, I’m bouncing around a gym studio with a room full of sweaty strangers and having a blast. Every time someone says, “Really? You teach Zumba?” I feel like Fierstein himself is somewhere offstage going, “See? This is what I’m talking about.”

The weirdest things people try to define you by are the things they understand the least. Like the time someone told me I shouldn’t write paranormal mysteries because “the supernatural isn’t serious literature.” I remember sipping my coffee and thinking, “Buddy, ghosts have been haunting stories longer than your family tree has been sprouting cousins.” Funny how folks will declare what’s “worthy” like they’ve been handed a golden clipboard by the universe.

I’ve watched friends get boxed in, too. One of my closest pals was always called “the responsible one,” which is code for “the one we expect to clean up everyone else’s messes.” It took him ages to realize that he wasn’t obligated to carry the weight of everyone’s disorganized chaos. The day he finally said no to something, he texted me like he’d just discovered fire. Meanwhile, he’s traveling now, taking improv classes, hiking in places with actual cliffs—living a life way bigger than the label he got stuck with at sixteen.

Sometimes the definitions are subtle, like when people react with mild surprise that you enjoy something outside the little category they’ve filed you into. “Oh, you’re into French? I didn’t think you’d be a language person.” “You’re starting a tarot blog? Huh.” They don’t mean harm—most folks aren’t malicious—but the effect can still be this small, quiet pressure that nudges you back into the “expected” lane.

And then there are the definitions you hand yourself without realizing. Those are the sneaky ones. For years, I had this internal rule that I wasn’t “sporty” because I hated gym class in middle school. Turns out, I love dance workouts, long walks, and the occasional bike ride where I pretend I’m in a charming European indie movie. It took me embarrassingly long to figure out that gym class was not, in fact, the universal measure of athleticism. Who knew?

Even silly examples count. I once decided I “wasn’t a hat person.” I don’t know where that came from—maybe some random snapshot of myself in a winter beanie that made me look like a startled turnip. But then, one day on a whim, I bought this wide-brimmed hat that gives me major “mysterious stranger in a 1930s speakeasy” energy, and suddenly I’m strutting around like I own the joint. Turns out I was a hat person the whole time; I was just wearing the wrong hats (and I now own two hat racks).

Defining yourself is messy and ongoing and occasionally weird. It means trying on identities like outfits and figuring out which ones fit and which ones scratch. It means ignoring the peanut gallery—even the well-meaning peanut gallery. It means letting yourself evolve, contradict yourself, surprise yourself. And honestly, that’s the fun of it.

So yeah. Fierstein wasn’t kidding. Don’t let people decide who you are just because they happened to show up early in your story. Write your own definition, scribble it out when it changes, doodle in the margins, add footnotes, cross out the parts that never belonged to you in the first place.


Book cover image of man wearing a fedora for Murder at the Savoy

It’s here! Murder at the Savoy is out now — a jazz-soaked mystery where the ghosts never rest, and neither does Detective Lucien Knight.

🎩 1930s New York. Forbidden love. One haunting murder. Grab your copy HERE

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The Quiet Surrender of Power (And Why We Need to Stop Doing It)

Young man sitting in an alley, head bowed, despair

You know that old Alice Walker quote?  “The most common way people give up their power is by thinking they don’t have any.”  I swear, every time I hear it, it feels like she’s standing right next to me, giving me the side-eye while sipping tea and saying, “So… what are you gonna do about it?” Because honestly, that one line sums up so much of what’s happening right now in the U.S.—the creeping sense that regular folks can’t do much against the mess that’s unfolding. Spoiler: that’s exactly how the people in charge want it.

The Illusion of Powerlessness

Let’s be real—power doesn’t always look like marching bands and microphones. Most of the time, it’s quiet. It’s the voice inside that says, “My vote doesn’t matter,” or “They’ll just do what they want anyway.” And just like that, poof—power gone. Not because someone took it, but because we handed it over wrapped in apathy and tied with a bow of exhaustion.

And who could blame anyone for feeling tired? We’re bombarded with headlines that feel like a slow-motion train wreck. Book bans, attacks on LGBTQ+ rights, journalists being harassed, politicians acting like democracy is optional—it’s easy to feel like the tide is too strong. But that’s the trick. Authoritarianism thrives on convincing people they’re too small to fight back. It feeds on our collective shrug.

The Gaslighting of a Nation

We’ve been gaslit into believing “this is just how things are.” You know that uneasy feeling when you start doubting what’s real? Like, wait, did that senator  actually  just say that out loud? And then half the country shrugs? Yeah. That’s the numbing fog of manipulation.

When the loudest voices say “don’t worry, everything’s fine,” even as laws chip away at freedoms, it’s tempting to sink into the couch and pretend not to notice. But that’s the moment Alice Walker’s quote starts glowing neon in my brain. Because realizing you  do  have power is the first crack in the facade.

Power Isn’t Always Loud

We tend to picture “power” as something external—like being on TV, or having a title, or yelling into a megaphone. But sometimes, power is just saying  no . No, I’m not going to normalize cruelty. No, I won’t pretend not to see what’s happening. No, I won’t let fear make me small.

Voting is one obvious tool, sure. But it’s also choosing where you spend your money, who you support, what stories you amplify, what conversations you start. It’s telling your local library board, “Hey, I like those books you’re trying to ban.” (Yes, that counts as power. Librarians are unsung superheroes in this mess.)

The Authoritarian Playbook

If you’ve ever watched a slow takeover unfold—whether in history books or live on your feed—it always starts with the same formula: convince people they’re powerless. Then, pick off rights one group at a time, while everyone else watches from the sidelines thinking, “Well, that doesn’t affect me.” Until it does.

That’s what makes Walker’s words feel especially urgent right now. We’re standing in this weird liminal space where everything still looks normal enough, but the cracks are spreading. And the people spreading them are counting on us being too distracted or discouraged to care.

Reclaiming What’s Ours

I’ve been thinking a lot about what reclaiming power looks like on a small scale. For me, it’s writing. It’s speaking up even when my voice shakes. It’s supporting journalists and artists and teachers who refuse to be silenced. It’s donating ten bucks to someone’s campaign who actually gives a damn. It’s talking to friends who are slipping into that “nothing matters” headspace and reminding them, gently, that it does.

It’s also joy, weirdly enough. Authoritarianism hates joy. It hates laughter and drag shows and art that questions things. It wants conformity and fear. So, every time we create, love loudly, or refuse to play along with hate, we’re pushing back. That’s power.

The Spark That Spreads

Here’s the thing about realizing you have power—it’s contagious. The moment you start acting like your actions matter, other people notice. And that ripple effect is how movements start. Not from grand gestures, but from a bunch of ordinary humans refusing to go numb.

It’s okay to feel small sometimes. We all do. But remember that those in power are terrified of you remembering your worth. Because once you do, the illusion falls apart.

So yeah, maybe we can’t fix everything overnight. But we can refuse to hand over our agency. We can write, vote, protest, love, create, question—and keep doing it, even when it feels pointless. Especially then.

Because as Alice Walker reminds us, power isn’t something they give you. It’s something you already have. You just have to stop pretending you don’t.

And whatever you do, don’t give them your silence.


Ghost Oracle Box Set image

My Ghost Oracle Box Set (Nick Michelson) is now available from your favorite online retailer.

Books 1-3: https://books2read.com/u/mBKOAv
Books 4-6 https://books2read.com/u/mVxr2l

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The Awkward, Beautiful Beginning of Every Creative Weirdo (Yes, Even You)

Closeup of a young man painting on canvas on studio floor
Closeup of a young man painting on canvas on studio floor

You ever read something and feel like the universe just unlocked a little window and said, “psst…this is for you”? That’s how I felt the first time I tripped over Ralph Waldo Emerson’s quote: “Every artist was first an amateur.”

Honestly, I kind of wish someone had handed that to me years ago—printed on a coffee mug, embroidered on a pillow, stapled to my forehead, whatever. It would’ve saved me from an Olympic-level amount of self-doubt.

I mean, think about it. Imagine the first novel Stephen King wrote that didn’t see the light of day. Picture Picasso staring at a sketch and going, “huh…this looks like a potato.” I guarantee even Freddie Mercury had a moment where he mumbled a lyric under his breath and hoped nobody heard him trying things out. Lowe-stakes beginnings are the secret origin story nobody talks about enough.

A Messy Start Is Basically a Rite of Passage

And oh boy, my early drafts? They were…something. Bless their little chaotic hearts. I remember sitting in a café once, typing as though I’d just learned what a plot might be but wasn’t entirely convinced. The sentences rambled, the characters wandered around like lost tourists, and the dialogue felt like two lamps arguing about electricity.

Did I feel ridiculous? Absolutely.
Did I keep going? Somehow, yes.

Because Emerson was right—even if I didn’t know it yet.

There’s something comforting about remembering that everyone starts in that same foggy place. The place where you’re doodling stick figures or writing dramatic vampire poetry or trying to sculpt clay and ending up with something that looks like a shriveled pear. We all earn our way forward one awkward attempt at a time.

The Myth of “Natural Talent” (aka The Thing That Made Me Freeze Up for Years)

I spent way too long thinking talent was some mystical inheritance. Like you either got sprinkled with glitter at birth—boom, you’re an artist!—or you didn’t. Spoiler: this mindset is nonsense, and I wish I could go back in time and bop myself on the nose for believing it.

Whenever someone looks at my current writing and says something like, “You’re lucky—you’re just naturally good at this,” I want to hand them a stack of my early journals. Or let them peek at one of the abandoned book drafts where the main character’s personality changed every three paragraphs. Or read the opening sentence that literally began with, “It was nighttime and also morning depending on how you thought about things.” (True story. I don’t even know what I meant.)

Artists grow. Artists fail. Artists try again.

The only difference between an amateur and someone further along is…time. And a pinch of stubbornness.

My Favorite Part of Being a Lifelong Amateur

Here’s the thing that Emerson doesn’t address directly—but it’s baked right into the quote if you squint a little: being an amateur is actually kind of adorable.

Like, imagine being new at something and not knowing the “rules” yet. There’s freedom in that. There’s joy in messing around before your brain starts telling you to be Serious and Proper. My favorite writing memories? They’re from the amateur days. The days when I didn’t know about genre conventions or pacing or any of that grown-up stuff. I was just vibing with a keyboard, a tea, and a half-formed idea.

Sometimes, when the pressure of “being good” creeps in, I try to reconnect with that early version of myself—the one who didn’t know what he was doing, but did it anyway because it felt good.

Maybe the real lesson is: stay an amateur, just…a more experienced one.

The Weird Beauty of Letting Yourself Be Bad

Nobody likes sucking at something, but wow—there’s such a relief in saying, “I’m going to be terrible at this for a bit.”

I mean, that’s how kids learn literally everything. They don’t sit there sobbing because their macaroni necklace doesn’t look professional. They just glue noodles to a string and present it like they’ve invented jewelry.

I try to channel that energy more.

If you’ve got something creative you’ve been dying to try—painting, songwriting, pottery, writing spicy fanfic about pirates—start embarrassingly small. Start amateur-level. Start with stick figures if you need to.

Your future self will look back and go, “aw, look at us, trying.”

And the best part? Trying becomes doing. Doing becomes improving. Improving becomes…not perfect, because perfect is boring…but something you feel quietly proud of.

Emerson Was Basically Saying “Relax”

At least, that’s how I read it.

It’s like he’s whispering from across history:
“Go on, make something. Everybody looks goofy at the beginning.”

And I love that.
I need that.
You probably do too.

So here’s my totally-not-wise-but-still-true advice:
Be the amateur.
Be messy.
Make the weird art.
Write the odd chapter that doesn’t go anywhere.
Sing off-key.
Scribble.
Play.

That’s how every artist you admire started. And it’s how every new one begins—including the one you become each morning you decide to try again.


Norian's Gamble book cover image

Prince Norian thought his biggest worry was living up to his father’s expectations—but that was before a dark sorcerer set his sights on Tregaron. When an attack leaves Norian marked by the curse of the wolf, he’s thrust into a destiny he never asked for. Can friendship and loyalty withstand the pull of forbidden magic? Or will Norian’s new nature tear his world apart? Norian’s Gamble is a tale of sorcery, betrayal, and a prince learning what it truly means to lead.

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The Tattoos We Give Our Brains

Young woman with negative thoughts swirling around in her head

You ever notice how some thoughts just stick? Like you’re minding your own business, making coffee, when suddenly your brain goes, “Remember that thing you messed up in 2009?” And you’re like—oh cool, thanks for that. John Maxwell once said, _“Once our minds are tattooed with negative thinking, our chances for long-term success diminish.”_And boy, did that one land.

Because honestly, negative thinking really is like a bad tattoo—except it’s not a dragon on your bicep, it’s a tiny whisper on repeat saying “you’re not good enough.”

The Ink That Doesn’t Fade

Here’s the thing about tattoos (the literal and mental kind): they last. You might fade them, you might cover them, but they don’t fully disappear. Negative thinking is sneaky like that—it seeps into your habits, your decisions, your self-talk. It’s like background static you forget is even there until you try to do something new and your brain mutters, “Yeah, but you’ll probably fail, so why bother?”

When I first started writing books, I used to think I wasn’t “real” enough to call myself an author. I told myself I was just “dabbling.” That word became my mental tattoo—“dabbler.” It showed up every time I sat down to write, whispering that what I was doing didn’t really matter. That tattoo didn’t come from one big event either—it built up slowly, inked in by every small doubt I didn’t bother to challenge.

Mental Graffiti and the Art of Rewriting

But here’s the wild part: you can’t really erase a tattoo, but you can draw over it. That’s the mental version of laser removal—repetition, kindness, and a bit of audacity.

I started doing this thing where I’d talk back to my brain. Not in a “needs medical attention” kind of way—more like a snarky roommate situation.

Brain: “This story’s not as good as other authors’ stuff.”
Me: “Maybe not yet, but it’s mine. Now hush.”

And weirdly, it works. I didn’t magically turn into Mr. Positivity, but those little counter-arguments started building new patterns—fresh ink over the old scars. Slowly, the old “I can’t” started to lose its punch.

The Tattoo Artists in Our Heads

A lot of those mental tattoos come from other people, too—teachers, parents, bosses, that one ex who thought sarcasm counted as personality. They say something once, maybe even jokingly, and your brain’s like, “Oh cool, permanent record.”

I had a high school teacher who told me, “You’re good at creative stuff, but you’ll never make a career out of it. You should focus on something useful.” I didn’t realize how deep that tattoo went until years later when I hesitated to publish my first novel. That one offhand remark had been quietly coloring every creative decision I made.

Sometimes I wonder how many of us are walking around wearing other people’s graffiti on our minds.

The Art of the Cover-Up

The real challenge is that negative thinking feels comfortable. It’s familiar. It gives us a weird sense of safety—because if you already expect to fail, you can’t be disappointed, right? But that’s the trick of it. It’s like staying in a room with bad lighting and then convincing yourself you look terrible in every mirror.

The first time you try to think differently, it feels awkward. You feel fake saying stuff like, “I’m capable,” or “I’m learning.” But every time you repeat it, you’re laying down new ink. Brighter colors. Better lines.

And eventually, the old tattoo—the one that says “failure” or “not enough”—starts to fade under something that actually looks like you.

A Few Mental Needles Worth Using

Here’s what’s helped me sandblast the worst of my mental graffiti:

  1. Catch the thought mid-sentence. When I hear myself thinking, “I can’t—” I literally stop and say, “Yet.” It’s such a small word, but it turns the sentence into possibility instead of a verdict.
  2. Act anyway. Confidence rarely shows up first. Action does. You can’t think your way into self-belief—you have to move into it.
  3. Make friends with failure. Failure is just practice with dramatic lighting.
  4. Find new artists. Hang out (virtually or otherwise) with people who see your potential, not your past mistakes.

So yeah…

If your mind is tattooed with negativity, it doesn’t mean you’re doomed—it just means you’ve got some touch-up work to do. And honestly, that’s kind of the fun part. You get to choose what you ink over it with.

I’ve been adding new tattoos lately: “persistent,” “curious,” “weirdly optimistic.” And even on the days I don’t fully believe them, I leave them there. Because belief, like art, starts rough and gets better with layers.

So maybe Maxwell was right—if we let those negative tattoos define us, success will always be out of reach. But if we pick up the metaphorical needle ourselves? We can start designing something new.


Murder at the Savoy book cover

A murdered songbird. A haunted ballroom. A detective with secrets of his own.

When Evelyn Sinclair’s body is found backstage at the Savoy, everyone calls it an overdose. Everyone but Clara Beaumont.
She hires newcomer Lucien Knight, an English detective with a checkered past and a knack for finding trouble.
From Harlem’s jazz clubs to Manhattan’s shadowed alleys, Lucien hunts a killer—and faces the ghosts that followed him across the Atlantic.

You can check out the paperback version on my web store or get the ebook from Amazon..

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The Time Will Pass Anyway (So You Might as Well Do the Thing)

You man in formal wear playing the piano

I came across this quote by Earl Nightingale the other day, and it hit me right in the procrastination nerve:

“Don’t let the fear of the time it will take to accomplish something stand in the way of your doing it. The time will pass anyway; we might just as well put that passing time to the best possible use.”

Oof. Right? That’s one of those quotes that quietly parks itself in your brain and refuses to move.

The Piano Excuse I Used for Years

I used to say, “I’d love to learn piano, but it’ll take years before I’m any good.” I imagined myself hunched over a keyboard, fumbling through scales, hitting the wrong notes, and thinking, Who has that kind of patience?

But then, one random Tuesday afternoon, I had this ridiculous realization: five years from now, those five years will have passed anyway. Whether I spend them complaining about how long piano takes or actually playing it is completely up to me.

And honestly, that thought kind of flipped a switch. I pictured future-me sitting at the piano, hands gliding over the keys, maybe even playing something that sounded half-decent. Then I pictured future-me who never started—still saying, “Yeah, I always wanted to learn piano.” The second version of me looked bored. The first one looked content. So I went for it.

Starting Is the Hardest Part

That first week? A symphony of wrong notes and self-doubt. My cat actually left the room. But there was something kind of addictive about it—the challenge, the incremental progress. Every new chord I learned was like unlocking a secret door.

And that’s the thing with time-based fears: they’re sneaky. We convince ourselves that something isn’t “worth” the years it’ll take, but we’re already spending those years doing something else—scrolling, waiting, wishing.

Time doesn’t care what we do with it. It’s going to keep moving, whether we learn the piano or not, write the book or not, take the trip or not.

The Magic of Compounding Effort

Here’s where it gets wild: after a few months of sticking with it, my fingers stopped rebelling. I could play a melody without looking down every two seconds. A year in, I could play simple songs. And five years later—yep, the same five years I once said were “too long”—I actually sounded… good.

Not concert pianist good. But good enough that I could sit down, play something I loved, and feel proud.

It reminded me that most worthwhile things have a long runway. You plant a seed, and you don’t see much for a while—just dirt and doubt. But give it time (and some persistence), and suddenly you’ve got something beautiful growing.

Time Will Pass Anyway

I think about this quote whenever I hesitate on something new—learning a language, starting a side hustle, writing another book. My brain still likes to whisper, “But that’ll take forever.” And now I just shrug and think, “So what? Forever’s coming anyway.”

Maybe that’s the quiet power of Nightingale’s quote: it strips away the illusion that waiting is safer. The time will go by whether we try or not, so we might as well fill it with the messy, joyful stuff that makes us feel alive.

So if there’s something you’ve been putting off because it’ll “take too long,” consider this your nudge. Five years from now, you’ll either have five years of progress—or five years of regret. Personally, I’ll take the progress, wrong notes and all.



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