movie-a-day-challenge

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 296! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey Friends,

Okay, so I just watched “Vanilla Sky” for the first time—and honestly, my mind is still doing cartwheels and somersaults trying to wrap itself around what I just experienced. Like, how did I miss seeing this film until now? It’s like someone handed me a map of my subconscious, and now I’m just staring at it going, “What even is this?” Phew!

So, first off… Tom Cruise. Let’s not beat around the bush here—he was at peak Tom Cruisey-ness in this film. I’m talking about the kind of performance that makes you question whether you’re obsessed with him or kind of terrified by him (maybe both? 🤷‍♂️). He plays this dude named David Aames, a rich, handsome, and frankly kind of smug magazine publisher who seems to have everything handed to him on a silver platter. You know, the kind of guy who could probably order pizza in the middle of the night and a unicorn would deliver it just because the universe loves him that much. But, as you might guess, life isn’t all fluffy clouds and sunshine for David.

Enter Penélope Cruz as Sofia Serrano, who in the film, is basically your dream girl next door but with a sprinkle of that magical realism flair. Sofia shows up, and David is immediately captivated—I mean, who wouldn’t be? Penélope Cruz just oozes charm, and let’s not even talk about those eyes. 😍 The chemistry between Tom Cruise and Penélope Cruz is like someone dropped mint into a glass of soda, and it’s just bubbling and fizzing all over the place. It’s electric—I was totally invested.

Now, add to that equation Cameron Diaz as Julie Gianni, David’s sort-of girlfriend but also not really? And by “not really,” I mean she’s totally that ex you just can’t shake, but who also might be a bit, uh, intense. I won’t spoil anything (because you just have to experience it), but when things go south, they really go south quickly. We’re talking car crashes, messed up faces, and life spiraling out of control like one gigantic nightmare on caffeine.

Anyway, what ends up happening is that the movie blurs the lines between reality and dreams so thoroughly that you almost want to pause every ten minutes just to process what the heck is going on. You know those dreams where you’re not quite sure if you’re awake or still dreaming? Yeah, that’s pretty much the entire movie.

Oh, and the soundtrack is: Epic. Cameron Crowe may have been trippin’ me out with this whole brain-bender of a plot, but dang, the man knows his music. You’ve got everything from Radiohead to Bob Dylan, and it just works. It’s like the musical equivalent of your weirdest, most nostalgic memories all coming back at once. Honestly, the soundtrack is the kind of mixtape you’d want to put together for your soul if you were going on a lucid dream journey. Just a heads up—it’ll stick with you.

Now, I’m not going to deep dive into the movie’s ending, because, well, partly because I’m still three quarters lost, but I will say that it’s one of those endings that’s likely to haunt you. It’s got a major philosophical bent, playing with ideas about love, redemption, and reality. The kind of stuff that could easily fill an entire night of those 3 AM conversations where you stare at the ceiling and question the meaning of life.

Real talk though—this is definitely not everyone’s cup of tea. I imagine there are plenty of folks out there who walked out of the theater dazed, annoyed, or just totally baffled. And to be fair, the movie definitely demands a heck of a lot from the viewer in terms of following along. But you know what? If you like a film that makes your brain hurt in the best way possible like when you try to finish a massive puzzle but realize there’s still a piece missing—this is your jam.

So, will I be watching “Vanilla Sky” again? Absolutely. It’s the kind of movie that’s like a Rubik’s Cube—you just want to keep turning it in your hands to see if you can figure out how it all fits together. Plus, it’s like my mind just needs to go back in there to sort out all the loose ends.

Later gators!
Roger

Did you know that you can receive a short story in your inbox every Monday if you subscribe to my newsletter?  Subscribe today to begin receiving site and book news as well as your weekly story. You can do so HERE

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 295! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey there, friends!

So, the other night, I found myself scrolling through streaming services, feeling like I was in one of those video store aisles trying to decide between action and horror—good times, right? Anyway, I had this sudden urge to check out the classic film “Sleepy Hollow,” the 1999 gem directed by that quirky genius, Tim Burton. I guess I blame it on nostalgia (and maybe because I devoured the Sleepy Hollow TV series a while back and totally loved it). In case you’re wondering: yes, this was indeed my maiden voyage with this flick.

Tim Burton, the master of the macabre, weaves a tale that’s both visually stunning and delightfully spooky. The film’s set in the late 1700s and follows Ichabod Crane, a quirky New York City constable who’s a bit of a fish out of water in the sleepy (pun intended!) village of Sleepy Hollow.

The plot itself is a blend of horror, mystery, and a dash of romance. It’s a whodunit with a supernatural twist, as Ichabod tries to unravel the mystery of the Headless Horseman’s murderous rampage. There are plenty of twists and turns along the way, and the ending is both satisfying and surprising.

Johnny Depp, as always, brings his signature charm and eccentricity to the role, making Ichabod a fascinating and endearing protagonist. He’s a mix of book smarts and social awkwardness, and Depp’s performance is just spot on. He bumbles about inventively, all while wielding his little greenhouse gadgets and a steadfast belief in scientific explanation. It’s pure, spooky magic, and, dare I say, a whole vibe.

Of course, the real star of the show (besides Depp’s cheekbones) is the Headless Horseman himself. This dude is seriously terrifying. He’s a hulking, sword-wielding specter who gallops through the foggy woods, lopping off heads left and right. The special effects might look a tad dated now, but the sheer intensity and brutality of the Horseman’s attacks still pack a punch. Honestly, I jumped a few times, and I’m not easily spooked!

And then there’s Christina Ricci as Katrina Van Tassel, with her porcelain skin and mysterious aura. She radiates that gothic etherealness that just fits the mood and place oh-so-well. The chemistry between Ichabod and Katrina is subtle yet intriguing, like a haunting melody you can’t shake off.

Speaking of enchantment, can we talk about the village of Sleepy Hollow itself? Burton ignites the screen with fog-laden forests, pumpkin patches bathed in moonlight, and a haunting sense of isolation. I could almost feel the chilly breeze whispering by—one of those sights that etches itself into your mind. And how about that sound of the Headless Horseman galloping through the mist? Gives me the shivers just thinking about it! This cinematic atmosphere took me right back to the tales spun around a campfire when I was a child—spine-tingling, yet thrilling.

The supporting cast is a sprinkling of seasoned thespians—Michael Gambon, Miranda Richardson, and the high-energy Christopher Walken, who takes on the role of the infamous Headless Horseman. Side note: those teeth and that banshee scream? Fantastic! And Walken truly owned that sinister swagger.

Plot twists in abundance unfold, connecting witchcraft, covenants, and betrayals—it’s got the perfect soup of mystery elements, just waiting for you to dip a spoon in. I won’t spoil it all, but let’s just say there are enough shocks and ah-ha moments to keep anyone eagerly poised on the edge of their seat. Or, in my case, teetering off the couch.

But what really sets Sleepy Hollow apart is its visual style. Burton’s gothic aesthetic is in full force here, with twisted trees, fog-shrouded landscapes, and a color palette that’s both rich and eerie. The production design is incredible, creating a world that’s both beautiful and unsettling. The cinematography, too, is top-notch, with sweeping shots that capture the grandeur and mystery of the setting. It’s like stepping into a dark fairytale, and I was completely captivated.

Tim Burton’s take on Washington Irving’s classic tale is really something to behold. It’s a hauntingly beautiful mix of horror and whimsy wrapped in a cinematic bow. So, if you’re like me and somehow let this one float by in your cinematic education—or if you simply want to relive its charming eeriness—give it a watch. It’s like stepping into a gory fairy tale tailor-made for all of us who appreciate the enchantment of the darker side.

May your nights be spooky yet delightful!

Catch you on the flip side,
Roger

Did you know that you can receive a short story in your inbox every Monday if you subscribe to my newsletter?  Subscribe today to begin receiving site and book news as well as your weekly story. You can do so HERE

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 294! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey there, friends!

So I finally decided to kick it back to the oh-so-vibrant era of the late ’90s, and popped in the iconic teen rom-com “10 Things I Hate About You.” Yup, first time watching. I know, I know. Where have I been, right? But honestly, after basking in its nostalgic glow, I’m convinced that my teenage years were seriously missing Heath Ledger serenading me with a marching band.

For those of you who like me, just missed the bus on this one—“10 Things I Hate About You” is a modern retelling of Shakespeare’s “The Taming of the Shrew.” Except, you know, with more flannel. It’s set in an American high school where the plot revolves around the Stratford sisters, Bianca and Kat, played by Larisa Oleynik and Julia Stiles respectively.

The twist? Bianca is the popular one, but their dad has a rule: Bianca can’t date until Kat does. Problem is, Kat is a bit of a… let’s say, independent spirit. So, naturally, the high school’s mini-society catapults into a matchmaking frenzy.

Enter Patrick Verona, a mysterious new student who’s paid to take Kat out. Things get complicated, feelings develop, and hilarity ensues. You can probably guess where it’s going, but the journey is half the fun.

Let’s start with the cast, because wowza, it’s like a time capsule of pure ’90s brilliance. Julia Stiles brings that delightful sarcastic edge to Kat, our feminist-before-it-was-cool heroine. She’s that character who you imagine smells like artisanal coffee and books, you know? She’s strong, witty, and not afraid to speak her mind.

Then you get Heath Ledger as Patrick—the “bad boy” with a heart of gold. I have to admit, watching him swan dive into his charming, cheeky role felt like the cinematic equivalent of chowing down on comfort food. The whole thing is a treat with a side of iconic grins.

There’s Joseph Gordon-Levitt too (one of my favorite actors), sweet as ever in his role as Cameron, the starry-eyed lover-boy determined to win Bianca’s heart. Joseph’s character gives the movie that slightly awkward classic puppy-love charm. Then you have Bianca, played by Larisa Oleynik, who is pretty much the quintessential ’90s “it-girl.” Her outfits alone are enabling my deep dive into fashion-black-hole Pinterest boards.

The plot is predictable, sure, but in the kind of way that’s like having your grandma bake you cookies—which is to say, an absolute delight. The beauty lies in the humor and absurdity of teenage antics. It’s like harking back to an era when finding love was within the confined chaos of high school hallways rather than dating apps. Oh, and can we chat about the “10 Things” poem moment? Julia Stiles delivers it with raw, genuine emotion, and I’d be lying if I said it didn’t get a teense bit dusty in the room at that point.

One thing I really loved about this movie is how it captures the high school experience. The cliques, the crushes, the awkwardness of trying to fit in – it’s all there. But it also has a lot of heart. It’s about finding yourself, standing up for what you believe in, and not being afraid to be different.

The film was cheeky, heartfelt, and genuinely made me wonder why it took so long for me to see it. But hey, late to the party maybe, though definitely grateful for arriving at all!

So yeah, if you’re looking for a feel-good movie with a great cast and a killer soundtrack, “10 Things I Hate About You” might be your jam. And hey, you might even learn a thing or two about love, friendship, and not taking yourself too seriously.

Until tomorrow!
Roger

Did you know that you can receive a short story in your inbox every Monday if you subscribe to my newsletter?  Subscribe today to begin receiving site and book news as well as your weekly story. You can do so HERE

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 293! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey friends!

So, I finally got around to watching “Where the Crawdads Sing,” and let me tell you, it was like diving into a soft marshland with a splash of mystery. I remember devouring Delia Owens’ novel when it first came out and I totally loved it. It was like getting lost in a world of marshlands, secrets, and a girl who was as tough as she was lonely. Naturally, when I heard they were making a movie, I was a mix of excited and nervous. You know how it is – sometimes adaptations can be a bit of a letdown.

Surprise, surprise!I’m thrilled to report that the movie stayed pretty true to the book, which made my bookworm heart skip a beat. It beautifully captures the atmosphere of the North Carolina marshes, the isolation of Kya’s life, and the simmering tension of the murder mystery.

Visually the film is stunning, making you feel like you’re right there in the thick of it all. The sweeping cinematography really brought the marshes to life. It was as if you could almost smell the crisp air, feel the moist earth beneath your feet, and hear the symphony of rustling leaves. A true sensory feast, if I ever saw one.

And the pacing is spot-on, keeping you hooked without feeling rushed. It was such a faithful adaptation—I could almost see my annotated margins and dog-eared pages mirrored on screen. So, hats off to Olivia Newman for keeping the essence intact while giving me a reason to reminisce.

Now, I have to gush a bit about Daisy Edgar-Jones, who picked up the oak mantle of Kya Clark so gracefully that I felt like I’d known her forever. Edgar-Jones is absolutely stunning, in that kind of raw, natural way. I mean, the way she embodied Kya’s solitude, strength, and vulnerability all in one go was like watching an alchemist turn rugged earth into gold. Speaking of Kya, she’s this enigmatic marsh girl, abandoned by her family, who learns to navigate life in the wilderness of the North Carolina coast.

Back to the movie! Taylor John Smith played Tate Walker with this earnestness that was just shy of breaking your heart. His chemistry with Daisy was as soft as marshmallow pillows but with just enough edge to keep it interesting. It’s fascinating when actors can pull off young love without it feeling like a cheesy high school play. And then there’s Harris Dickinson as Chase Andrews. Let’s just say he nailed that whole charming smile-meets-menacing-underbelly vibe. Does it sound like I’m too invested in fictional characters? Yeah, well, guilty as charged!

And let’s chat a bit about the twist at the end. If you’ve read the book, you know what I’m talking about. But if you haven’t, oh man, I can’t spoil it for you. It was like that feeling when you find an extra scoop of your favorite ice cream hiding at the bottom of the carton—a twist you secretly hoped for but weren’t expecting! It was the cherry on top of a pretty stunning visual and narrative sundae.

If you haven’t caught “Where the Crawdads Sing” yet, grab your favorite snacks, get comfy, and let yourself be transported to a world where nature is both breathtakingly beautiful and slightly ominous. Trust me; you won’t regret it.

Peace out,
Roger

Did you know that you can receive a short story in your inbox every Monday if you subscribe to my newsletter?  Subscribe today to begin receiving site and book news as well as your weekly story. You can do so HERE

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 292! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey there, friends!

Today I’m chatting about a gem from 2007 that might have slipped under your radar but deserves a spot in your watchlist: “Disturbia.” It’s a suspenseful thriller with a dash of teen drama, a sprinkle of mystery, and a whole lot of Shia LaBeouf charm.

Now, you’d think a movie set almost entirely in suburban backyards might have all the excitement of watching paint dry, right? But throw in a dash of teenage angst, a sprinkle of voyeurism, and an unsettling neighbor, and it turns out you’ve got yourself quite the suspenseful recipe.

“Disturbia” stars Shia LaBeouf playing a teenager named Kale. After a tragic accident—and by tragic, I mean both gut-wrenching and plot-defining—Kale finds himself under house arrest. Literally stuck at home, he does what any bored teen with some good ol’ fashioned boundary issues would do: he starts spying on his neighbors. It’s like a real-life episode of “Rear Window,” but with a modern twist and teenagers.

And, you know, because it’s a thriller and not a rom-com, he happens to fix his binoculars on the one neighbor who has a potentially skeleton-filled closet. Enter David Morse, who portrays Mr. Turner, someone who makes leaving your blinds open during shady activities seem like less of an oversight and more of an amateur villain move.

Now, alongside Shia, you’ve got the charming Sarah Roemer playing Ashley, who moves in next door and somehow gets wrapped up in this mess of Hardy Boys meets “Rear Window.” The chemistry between Kale and Ashley adds a touch of sweetness to the suspense.

But let’s park here for a second. Shia LaBeouf as a troubled teen might sound like some serious typecasting, but his performance is wired and nuanced. Seriously, at times, you almost smell the teenage funk radiating from Kale’s messy room. LaBeouf delivers a stellar performance, portraying Kale’s descent into paranoia and obsession with a raw intensity that keeps you glued to the screen.

And David Morse! Talk about a masterclass in subtle malevolence—his portrayal of Mr. Turner will give you goosebumps every time he appears on screen.

The film’s pacing is spot-on, keeping you on the edge of your seat with its twists and turns. The suspense builds gradually, making you question every character’s motives. Is the mysterious neighbor, Mr. Turner, really a serial killer? Or is Kale’s imagination running wild? The film keeps you guessing until the very end.

One thing I particularly loved about “Disturbia” is how it captures the feeling of being a teenager. Kale’s frustration with his confinement, his yearning for freedom, and his awkwardness around Ashley are all relatable experiences. The film also touches on themes of grief, loss, and the challenges of growing up.

I won’t give away any spoiler-y deets, but there’s this slow-burn build-up that makes you feel practically unable to look away. Sure, some scenes have that playful cliché sniff—like the nosy best friend Ronnie, played by Aaron Yoo, who provides lighter tones to counterbalance those ominous billows of suspense. Yet, it’s these familiar flavors that bind you to the characters and make their reality almost, let’s say, neighborly?

So, is “Disturbia” going to rewrite the script on thriller movies forever? Nah. But it serves up an entertaining slice of suburban paranoia with a side of youthful charm, making it a must-watch if you’re seeking a movie that triggers both nostalgia for teen antics and a hint of spine-tingling fear. It’s a classic story of voyeurism and paranoia, updated for the 21st century.

Watch out for what could be brewing in your own neighborhood, because you never really know, do you?

Cheers!
Roger

Did you know that you can receive a short story in your inbox every Monday if you subscribe to my newsletter?  Subscribe today to begin receiving site and book news as well as your weekly story. You can do so HERE

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 291! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey folks!

So, I just had to spill some thoughts about this movie I watched for the first time last night—it’s called “The Beach,” directed by Danny Boyle, with the dreamy Leonardo DiCaprio front and center. Seriously, why don’t more people talk about this film? I have a theory: it’s probably been buried under Leo’s other iconic roles that came later on.

First off, the plot is one heck of a wild journey. Picture this: backpacking in Thailand, DiCaprio-style, where you stumble upon a mysterious map. Who wouldn’t be tempted, right? This map supposedly leads to this hidden utopia, an untarnished island paradise. So, Leo—playing a character named Richard—teams up with some fellow adventurers and embarks on this quest for paradise. That might sound a little cliché at first, but I assure you, things take a dark turn faster than your last questionable bungee jump decision.

The setup echoes a familiar theme—yep, like “Lord of the Flies,” but with fewer pigs’ heads and more sunburns. The island initially offers those dazzling postcard views that make your Instagram feed look lame by comparison. You’ve got lush foliage, the kind of beach sunsets that melt into the horizon, and the overall vibe? Pure, unadulterated wanderlust. But oh boy, paradise comes with a price—a fact the film doesn’t shy away from. I felt like I was on a rollercoaster, teetering on the tracks between utopia and chaos.

What stood out to me was how unpredictably the entire story unfolded. Just when you think it’s a “lost in paradise” dream scenario, boom! The script takes a sharp detour into the territories of human nature and societal breakdowns. The characters rapidly spiral out under a despotic ruler’s watch, where rules vanish faster than snacks at a movie night. There’s something uncomfortably fascinating about observing human nature under a magnifying glass in extreme situations—makes you think about what being “civilized” really means when it’s humans vs. wild.

Leonardo DiCaprio? Stellar as always. I mean, did we expect any less from him? He manages to convey Richard’s naïveté at the start and his rapid disillusionment and desperation—and he does so with all those subtle nuances he’s known for. One moment, he’s soaking up the sun; the next, he’s teetering on the edge of sanity, which is starkly contrasted by the serene environment around him.

And then there’s the supporting cast. Tilda Swinton, in particular, brings this eerie calmness to her character, the leader of the island community, that leaves you wondering what’s going to happen next. Virgine Ledoyen and Guillaume Canet add depth and color to the ragtag band of seekers and outcasts. Everyone’s quest for happiness and selfish indulgence plays out like a gripping, albeit exaggerated, reality check.

Peppered through the movie are these powerful dialogues that pack a punch more real than those mosquitoes native to Thailand, at least according to my backpacking friends.

I guess what “The Beach” leaves you questioning is the idea of paradise itself. Is any place truly perfect, or is our pursuit of the ideal always in vain? It feels a lot like the film’s the ultimate cautionary tale about the pitfalls of naked hedonism and the thin veneer separating us from chaos.

All in all, “The Beach” is a wild ride. It’s dark, it’s intense, it’s thought-provoking. It’s about the human condition, our desires, our fears, our flaws. And it’s a reminder that sometimes, the things we crave the most can also be the most destructive.

Anyway, before I start getting existential, thanks for sticking around for my spiel on “The Beach”! If you haven’t seen it yet, maybe it’s time to give it a whirl.

Catch you later alligator!
Roger

This post is part of my movie-a-day challenge in which I will watch a film every day for 365 days. Today is Day 290! You can see all the posts for this challenge HERE. To see the original Movie-a-Day Challenge post, click HERE.

Hey friends,

So, I ventured out of my comfort zone and watched “A Beautiful Day in the Neighborhood” (2019) last night, and let me tell ya, I had some serious doubts going in. Biopics? Not usually my thing. I mean, most of the time they’re like those overcooked documentaries with too much salt—y’know, just a bit too much, and it kills the whole thing. They often feel forced or overly sentimental. But this one… guys, this one got me, and I was like, “Whoa, alright, maybe this is worth the popcorn calories after all!”

The film follows Lloyd Vogel (played by Matthew Rhys), a journalist tasked with interviewing the beloved Mister Rogers (Tom Hanks) for an Esquire profile. Now, Lloyd’s a bit of a grump, a cynic who’s seen too much of the world’s ugliness. He’s convinced Rogers’ kindness is an act, a facade for the cameras and he’s out to prove it. But as he spends time with Rogers, Lloyd starts to see that the genuine warmth and empathy aren’t just for show.

The story unravels through the eyes of Vogel, who’s more of a storm cloud on a sunny day, but the dynamic between him and Mister Rogers is the essence of the film. It’s like one of those sweet and salty combos that shouldn’t work, but somehow it totally does.

Hanks’ portrayal of Rogers is nothing short of extraordinary. I mean, who else could embody that gentle, cardigan-wearing soul better than Hanks? It’s like he just walked right out of our childhood TV screens and gave us a big, soft smile. Pretty sure his aura changed the molecules in the room or something. For real. Hanks is just THAT good.

He captures the gentle spirit, the slow, deliberate speech, the unwavering kindness that made Mister Rogers a childhood icon for so many. But it’s not an impersonation; Hanks brings a depth to the character, hinting at the quiet strength and unwavering faith that underpinned Rogers’ gentle demeanor.

The film isn’t just a fluffy tribute, though. It delves into Lloyd’s own struggles — his strained relationship with his father, his cynicism, his difficulty connecting with his newborn son. Through his interactions with Rogers, Lloyd begins to confront his own emotional baggage and learns the power of forgiveness and vulnerability.

One moment that really stuck with me takes place during one of their interviews. Fred Rogers asks Lloyd to take a minute of silence to think about the people who have loved him into being. It’s such a simple, beautiful request that hits right in the feels. Seriously, think about that for a sec. How often do we pause and reflect on those who’ve shaped us? I was a bit misty-eyed—not even gonna lie. And the sound design? It was perfect, because you could practically hear the warmth in that silence.

Alright, enough about my flooding emotions. Let’s talk cinematography. Marielle Heller, the director, gave the film a nostalgic, almost dreamlike feel. The transitions between scenes often feature miniature models of Pittsburgh, a nod to the iconic opening of “Mister Rogers’ Neighborhood.” It’s a subtle detail, but it adds a layer of whimsy and charm to the film. These miniatures made me feel like a kid again, watching all those miniature cars and bridges, and reminded me of my own little toy set I used to play with on the living room rug. Ah, the simpler days!

By the end of the film, you’ll probably feel like you’ve been gently hugged by a familiar old sweater, and not in a cheesy way. Nope, this one’s genuine and somehow hits different. It’s like when you find forgotten cash in your jeans pocket—it makes your day, no question.

Anyway, if you haven’t seen “A Beautiful Day in the Neighborhood” yet, grab some PJs, a cozy drink, and immerse yourself in this beautiful cinematic nod to someone who wasn’t just broadcasting television, but was all about genuine love and kindness.

Catch you tomorrow,
Roger